While comedic rap has been around since the Beastie Boys first
fought for our right to party in the mid-'80s, it seems as if we've entered
into a kind of golden age of "white-boy" rappers who rap it like they mean it,
even if their raps are more Beck than Big Daddy Kane. Enter
Jamie Kennedy. Best known for his role in the 1996 horror film
Scream, Kennedy is an actor and stand-up comic and, as his
2006 pseudo-reality MTV show Blowin' Up would have you believe, a serious rap
artist. Along with his musical partner Stu Stone, Kennedy spent
most of Blowin' Up doing just about everything except what the show's title
implied -- making it big in the rap world. Instead, the duo found themselves
in such embarrassingly comedic situations as attempting to surreptitiously give
rap icon-turned-actor Ice-T their demo tape while Kennedy
filmed a role on Law and Order: SVU as well as meeting with Joe Simpson -- father/manager
of Jessica and Ashlee -- where Kennedy
played him a song about how he really likes his ex-girlfriend's left breast.
Okay, so Kennedy is a not-so-serious rapper, but he does seem
to take the music seriously, as is evidenced by such guest artists on Blowin'
Up as Canadian rapper Kardinal Offishall, E-40,
and the deliciously respectable Paul Wall who helps out with
what is perhaps the album's best moment, the commercial jingle for the mattress
superstore "Mattress Mack." Notably, in this episode, Kennedy
and Stone have to shoot the commercial wearing mattress customes. It's not anly
a funny cut, but a funky one that makes the most of Wall's
"sizzeruppy" Southern-style rap. Elsewhere, Kennedy and Stone
showcase their knack for picking out specific details that add a sense of truth
to their jokes as on the send-up of '80s style "1984" which features such cringe-inducing
lines as, "1984 lying in the grass first time I ever got some a*s. Pop Rock
in my mouth, wanna go down south, but the Whopper in my stomach really gave
me gas" and, "Listen crazy muthaf*cker, let's skip class. I got a fresh pack
of Hubba Bubba Berry Blast. I got money to kill and a*s to burn, Drakkar Noir
and a salon perm." What's so great about the track is that while the lines are
funny, Kennedy and Stone play it straight, which only serves
to make the joke funnier. In that sense, Blowin' Up is similar to "Lazy Sunday"
and the other SNL raps perpetrated by Chris Parnell and Andy Samberg. Admittedly,
while still humorous, some of the tracks here are a little to easy and juvenile,
as on "Crooked Stick" in which Kennedy expounds upon his deformed
appendage. Similarly, "Bologna" featuring Kennedy as the gay
rapper "Blane" is, while silly, stupidly offensive. However, tracks like "Rollin
w/Saget" in which milquetoast comedian Bob Saget raps about being a "blunt"
smoking badass, and "Knuckle Up" in which Kennedy and Stone
call out young-Hollywood hipsters like Ashton Kuther and Colin Farrell as "bitch-a*s
waiters" and viciously rap, "I need a coffee make it quick. I don't need to
see your headshot, you ain't legit. I don't need to read your screenplay it
reads like sh*t" are devastatingly funny and fall just shy of keen social satire.
Get the album with two bonus audio skits and an
exclusive booklet on iTunes today.